Brett Deadly 
The following article was featured in Trap Metal Magazine issue #1 CHECK IT OUT HERE
DUSTMYTE’s latest release, King Saul, is a bold entry into the world of underground trap metal. From the moment the first track begins, the album grabs your attention with a raw, unpolished sound that feels refreshing in a sea of overproduced music. The opening guitar riffs start as a grungy acoustic jam session, seamlessly transitioning into distorted leads that set the stage for a unique listening experience. This combination of elements immediately highlights DUSTMYTE’s ability to blend genres, creating something fresh while still staying true to the DIY roots of underground music. A Powerful Fusion of Genres, what makes King Saul stand out is DUSTMYTE’s mastery of combining different musical styles without losing coherence. The early tracks, particularly Tracks 2 and 3, are heavy-hitting examples of trap metal, shadow rap, and hard trap. The features from SHEBA and Boodi B add depth, each bringing their own flair to the project. These songs pack a punch, combining brutal, distorted beats with fierce, energetic vocals, perfect for fans of aggressive trap and metal, scream rap, and experimental.
For listeners looking for variety, King Saul doesn’t disappoint. Track 4, “Toss Em,” offers a brief respite with a more laid-back trap beat, allowing for a moment of calm before the album returns to its high-energy assault. From this point forward, the album only intensifies. DUSTMYTE keeps things fresh by enlisting collaborators like VOODOOCHILD, Vitamjn, Celeste Kay, and Costlyloss, each of whom helps elevate the sound with their distinct contributions. The mix of vocals and instrumentation from the guest artists adds an extra layer of complexity to the tracks, making each one feel like a unique chapter in the overall narrative of the album. One of the standout aspects of King Saul is its ability to maintain energy while also diving deep into emotional and lyrical content. The album doesn’t just rely on its aggressive sound but also brings moments of introspection and experimentation. The final tracks push boundaries, closing the album with a lyrically focused trap cut followed by an experimental track featuring a full band, which really showcases DUSTMYTE’s versatility. This exploration into different sounds and textures provides a satisfying conclusion to the album. The production of King Saul leans into a raw, DIY aesthetic, which fits perfectly within the underground trap metal scene. This album feels gritty and unpolished, but in a way that complements its overall rebellious and aggressive tone. The raw sound amplifies the energy and emotion, giving listeners a sense of authenticity. For fans of underground music, where the imperfections often add to the charm, King Saul hits the mark.
My final Thoughts. All in all, DUSTMYTE’s King Saul is a must-listen for fans of trap metal and underground music. The ability to blend multiple genres—grunge, trap, metal, and experimental sounds—gives the album a unique identity. The features from SHEBA, Boodi B, VOODOOCHILD, Vitamjn, Celeste Kay, and costlyloss only strengthen the project, bringing new dimensions to the tracks and making each listen feel fresh. While the production may feel rough around the edges, that’s exactly what makes this release so special. It stays true to the underground roots while pushing boundaries musically. For anyone looking to explore the bleeding edge of trap metal and underground rap, King Saul by DUSTMYTE is a project that shouldn’t be missed. We rate this a solid 9/10.
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